Today’s Broke and Bookish Top Ten Tuesday topic arrives a few days before the solstice:

Top Ten Books at the Top of My Summer TBR List:

A handful from my 2013 reading list:

1. Barbara Kingsolver’s Flight Behavior
2. Jacqueline Winspear’s Messenger of Truth (the 4th Maisie Dobbs novel)
3. Laurie King’s A Monstrous Regiment of Women (the 2nd Mary Russell book)

A few from the home TBR pile:

4. Dandelion Wine by Ray Bradbury
5. Dr. Radway’s Sarsaparilla Resolvent by Beth Kephart

A couple library loans:

6. Rosencrans Baldwin’s Paris I Love You, But You’re Bringing Me Down
7. Kathy Reichs’ Virals (because my dad has told me repeatedly that I’d like this series)

An old favorite:

8. Harry Potter and the Sorcerer’s Stone

And a pair yet to be published:

9. The Rathbones by Janice Clark (I have an ARC; publication date is early August)
10. Elizabeth Wein’s new book, Rose under Fire (already out in the U.K, but due in early September here in the U.S.)

How about you? Is summer your time for light reads or when you catch up on those big books you don’t have time for the rest of the year?

The theme of today’s Top Ten Books, hosted as always by The Broke and the Bookish, is travel:

Top Ten Books Featuring Travel In Some Way (road trips, airplanes, travelogues, anything where there is traveling in the book!)

I had a hard time deciding where to draw the line of what constituted travel in a book. Are short, but memorable, trips in a book ok? I decided yes, so my top ten list includes a few of those:

1. Harry Potter and the Sorceror’s Stone and its sequels by J.K. Rowling: The scarlet Hogwarts Express so inspired my imagination that on my first trip to London, I sought out Platform 9 3/4 at Kings’ Cross Station.
2. The Polar Express by Chris Van Allsburg: I first encountered this story when read aloud by my high school French teacher. The train, which takes needy (in one way or another) children to the North Pole on Christmas Eve, is wonderful in any language.
3. Voyage of the Dawn Treader by C.S. Lewis: A London painting of a ship at sea suddenly becomes a ship at sea — in Narnia.
4. The Lord of the Rings by J.R.R. Tolkein: So. much. walking. (Whenever I find people who don’t like this trilogy, it’s almost always because 2/3 of the narrative is filled with endless, hopeless walking.)
5. An Abundance of Katherines by John Green: If Hassan had never convinced Colin to embark on a post-high school graduation road trip, they never would have met Lindsey and he certainly never would have figured out his girl math problem.
6. Swallows & the Amazons by Arthur Ransome: The Walkers and the Blacketts captain their respective vessels around a lake during summer holiday. Their adventures are epic and remarkably free of adult supervision. (Today’s parents could take a lesson.)
7. Little House on the Prairie by Laura Ingalls Wilder: Crossing the open territory in a covered wagon (which they then had to dismantle when they got where they decided they were going to Pa and a very pregnant Ma could use its bones to build their house.
8. A Walk in the Woods by Bill Bryson: A non-fiction account of hiking the Appalachian Trail, filled in with Bryson’s trademark humor about appropriate gear, fellow travelers, and the countryside he’s traversing.
9. The Adventures of Huckleberry Finn by Mark Twain: I wouldn’t want to float down the Connecticut, the Potomac, or the Anacostia, let alone the mighty Misissippi — and on a raft!
10. Harry Potter and the Chamber of Secrets by J.K. Rowling: Rowling hooked me with a magical train, then pulled me in with a car enchanted to have expandable seats and trunk, invisibility, and flight.

Honorable mentions go to John Steinbeck’s fictionalized cross-country memoir Travels with Charley; Madeleine L’Engle’s Austin Family camping excursion, The Moon by Night; and Barbara Kingsolver’s The Bean Trees, because without a road trip Taylor would never have encountered Turtle.

Did I forget any crucial ones?

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Designed by Emily of Emily’s Reading Room

The final genre topic of Armchair BEA is one near and dear to my heart: kidlit and yalit.

Until last fall, I would have told you that I was a young adult aficionado. I like Sarah Dessen, John Green, and plenty of others who are shelved in the teen room at the library. But then I was chosen as a Cybils young adult realistic fiction judge and I was simultaneously inundated with recently published novels aimed at teenagers and by fellow panelists who read books at speeds that put me to shame. And I discovered I don’t love all young adult fiction equally.

I do not love books with depressing endings. In fact, it might be fair to say that an unhappy ending can entirely reverse my opinion of a book. I also don’t love books that feature virulent illnesses or with serial killers in them.

What I do love is books with strong characters who create a sense of family with people who aren’t related to them. I also love books with characters who make interesting choices or who can be described as quirky or offbeat.

And it may be that I like middle-grade fiction, where the stakes are a little lower and where the stress isn’t as ratched up, just as much as young adult fiction. I had previously suspected that middle-grade fiction was all Wimpy Kid books, but it turns out that some of my favorite books — the early Harry Potter, the Little House on the Prairie books, Anne of Green Gables — all fall into the middle grade category.

If you’re looking for a place to start in either category, these are some of my favorites (with linked reviews where I wrote them) from the past three years:

• An Abundance of Katherines by John Green
• Among Others by Jo Walton
• Crunch by Leslie Connor
• Code Name Verity by Elizabeth Wein
• Dash & Lily’s Book of Dares by Rachel Cohn and David Levithan
• Endangered by Eliot Schrefer
• Frindle by Andrew Clements
• Heat by Mike Lupica
• Maniac Magee by Jerry Spinelli
• Marcelo in the Real World by Francisco X. Stork
• Miss Peregrine’s Home for Unusual Children by Ransom Riggs
• Plain Kate by Erin Bow
• Savvy by Ingrid Law
• Spindle’s End by Robin McKinley
• Stargirl by Jerry Spinelli
• The Storyteller by Antonia Michaelis
• The Wednesday Wars by Gary D. Schmidt
• When You Reach Me by Rebecca Stead
• Will Grayson, Will Grayson by John Green and David Levithan
• Wonderstruck by Brian Selznick

And thus far this year my favorites have included Wonder by R.J. Palacio, The One and Only Ivan by Katherine Applegate, Eleanor & Park by Rainbow Rowell, My Life Next Door by Huntley Fitzpatrick, Dodger by Terry Pratchett, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente, The Last Dragonslayer by Jasper Fforde, and Tuesdays at the Castle by Jessica Day George.

How about you? What’s been your favorite YA/MG book of recent years?

Designed by Emily of Emily’s Reading Room

Today’s Armchair BEA genre topic is non-fiction. Do we read it? If so, what kinds?

When I first started considering this topic, I was sure my list would be short, but it turns out I am a sucker for a broader swath of non-fiction than I expected.

If you divided up my reading time, only a tiny proportion of it would be devoted to non-fiction. Fiction fills a far larger percentage of my reading life. But if you looked at my shelves you could fill a whole bookshelf with non-fiction. That means, in general, I’m more likely to buy non-fiction than fiction, although I suppose if we took away books I purchased for college or grad school classes that number might shrink back to being more proportional.

Among the books you’d find on my shelves are:

• I like a good reference book. Dictionary, thesaurus, literture desk reference set… I know my use of these books have been cut down by the internet, but it doesn’t matter. I still want a hard copy. If I ever win a lottery, I’m going to buy myself a full-size set of OED. Then I will need to move in order to have enough space to store it.
• Writers manuals. I acquired some of these as a teen and still can’t help picking them up when I see them for sale for cheap.
• Foreign language textbooks. Apparently I really feel I can learn how to speak a foreign language just through reading about verb conjugation. Failed attempts at three languages aside, I still have hopes.
• Women’s studies texts. Also books on minority studies and American studies. I have an unofficial minor and a graduate degree in these topics, so they’re near to my heart. Also, when I first read Women in the Global Factory, I carried the thin book with me from dorm room to dorm room just pelting my friends with horrifying facts about atrocities visited upon women and children all in the name of our getting cheap goods.
• Cookbooks and knitting books. I want to live in the worlds portrayed in their pages. This theory was first posited in the podcast Stash and Burn in regards to particularly nicely styled photos of unremarkable knitted goods. I have expanded it slightly to include cookbooks, since I like to buy them, but I hardly ever cook.
• Identification guides. I love being able to flip through and find the bird I saw on the canal or a tree with unusual leaves.
• Poetry. Why this is considered non-fiction, I don’t know, but it is. And I love it. Mary Oliver. Elizabeth Bishop. Anthologies. All good.
• Shakespeare plays. Again, it feels particularly weird to classify these under non-fiction, but that’s where a library would put them.
• Travelogues. I quite enjoy reading travel narratives, be they about the Appalachian Trail or the Provençal countryside. Guide books are also interesting, but I only really read the ones for places I’m going, with the exception of themed guides, such as Storybook Travels, which offers vacation ideas for places like Chincoteague Island and the Plaza Hotel.
• Memoirs. When I was a kid, I devoured biographies, particularly that series of books that focused on famous people’s childhoods. But these days I more prefer memoir to biography. I have Penny Marshall’s on my iPod now and am looking forward to listening to Tina Fey’s and Mindy Kaling’s, too. Epistolary memoirs, such as The Delicacy and Strength of Lace or 84, Charing Cross Road, are especial favorites.

So that’s about it. Are there any aspects of non-fiction I didn’t touch on? Sure: history and economics and design and science and medicine and self-help and philosophy, to name just a few. None of them really do it for me as a class of books, although there are certainly individual books that fall into those categories that stand out.

How about you? What non-fiction categories are your favorites?

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Designed by Emily of Emily’s Reading Room

Today’s genre topic in Armchair BEA is “literary fiction.” I’m not sure there’s an official definition for this term, but I use it as a snobby code word for general, non-genre fiction that’s particularly well-written. Classics and historical fiction also tend to get lumped into this category.

My favorite classic literary fiction (since I didn’t write a separate post on this topic earlier this week) would include works by Jane Austen, the Brontës, Anthony Trollope, Charles Dickens, F. Scott Fitzgerald, Willa Cather, Louisa May Alcott, and Mark Twain.

Among more modern literary fiction, I’d highlight books by Barbara Kingsolver, Toni Morrison, Alice Walker, Amy Tan, Nicole Krauss, Michael Chabon, Fannie Flagg, Jane Smiley, Marilynne Robinson, Sandra Cisneros, Jhumpa Lahiri, and Brunonia Barry.

What do you think? Any favorite authors of literary fiction you think I should sample?

Designed by Emily of Emily’s Reading Room

Today’s genre focus was on genre fiction, such as mystery, historical fiction, horror, romance, science fiction, and fantasy:

Though often dismissed or ridiculed by the more “literary” minded, these novels often deal with complex themes and issues and some of the world’s most beloved authors write in these categories. . . . If you’re a reader of genre fiction do you have a favourite author or series? And what keeps bringing you back for more . . .? And if you don’t read one (or more) of these genres what is it that deters you from those sections of the bookstore? I’m also curious to hear why you think these genres often don’t get the recognition they deserve.

Let’s start with the baseline: I like a well-written story. And while it seems like poor storytelling should be spread equally across BookWorld (™Jasper Fforde), it doesn’t seem to be. Or, maybe it is, but bad genre fiction gets more shelf space and press than other poorly written books. I suspect that’s due in part to genre fiction’s predilection for series. Many of those series start out strong, with well-developed characters and plots. But by the time an author has churned out their 15th or 50th book dealing with the same folks and settings, they often feel stale and tired. (This is not a new problem; Arthur Conan Doyle sent Sherlock Holmes over Reichenbach Falls and Hugh Lofting had to resort to flying Dr. Doolittle to the moon in an attempt to free themselves from their popular characters.)

But that complaint aside, there are plenty of imaginative and fresh genre writers out there who can go pen-to-pen with those whose work is considered more serious.

Let’s start with fantasy. Yes, J.R.R. Tolkein’s Lord of the Rings has a lot of lineage and a lot of walking. But it also set out many of the ideas that fantasy authors still adhere to today in terms of structure and magical creature races. Anne McCaffrey’s early works in the Pern series took dragons to new and more beloved heights, and Marion Zimmer Bradley’s feminist version of King Arthur’s tale, The Mists of Avalon, took an old tale and gave it fresh legs. Jo Rowling’s Harry Potter series made reading cool all around the world. And I dare you to find me an author writing today more clever than Jasper Fforde, particularly with his Thursday Next series.

I will concede that fewer mystery authors earn my top shelf placement, but the aforementioned Arthur Conan Doyle is certainly one of them. And Jacqueline Winspear’s Maisie Dobbs series nicely blends historical fiction with mystery to give us an ex-battlefield nurse eager to solve cases thanks to a combination of psychology and keen observation.

There are plenty of other cosy mystery series I enjoy devouring, but I prefer to take them out from the library or buy second-hand, due to less well-rounded characters and plots (these are more like potato chips and less like a baked potato). These include Agatha Christie’s Miss Marple series, Dorothy Sayers’ Lord Peter Whimsey books, M.C. Beaton’s Hamish Macbeth series, and Rhys Bowen’s Constable Evans books. Oh, and who can forget the middle grade mystery series that started the addiction for so many of us — Nancy Drew and Trixie Belden?

Anyway, those tend to be the two genres I like best. Romance, crime, and horror tend to be too graphic for my tastes. I don’t mind science fiction (and have a genuine fondness for Douglas Adams), but only as long as it doesn’t get too bleak. (Dystopian fiction is right out.) And historical fiction is okay, but I prefer it filled with spunky heroines who shrug off the societal constraints of their time, which limits my choices.

How about you? Do you enjoy genre fiction? And do you have any books or authors you particularly recommend?